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| 2151 |
 | Philip IV of France Philippe IV, recumbent statue on his tomb, royal necropolis, Saint Denis Basilica
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| 2152 |
 | Philip IV of Spain portrayed by Diego Velázquez
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| 2153 |
 | Philip IV of Spain Painting of a youthful Philip IV, displaying the prominent "Habsburg lip".
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| 2154 |
 | Philip of Courtenay Arms Coat of arms of the Latin Empire of Constantinople
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| 2155 |
 | Philip of Dreux
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| 2156 |
 | Philip of Swabia
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| 2157 |
 | Philip the Bold of Burgundy
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| 2158 |
 | Philip the Good WEYDEN, Rogier van der
(b. 1400, Tournai, d. 1464, Bruxelles)
Portrait of Philip the Good
after 1450
Oil on wood, 31 x 23 cm
Kunsthistorisches Museum, Vienna
The Duchy of Burgundy had its heyday under Philip the Bold, John the Fearless, Philip the Good and Charles the Bold. Between them, they acquired countless new territories, through a cunning combination of astute marriages, timely purchase and the barely legal diversion of other people's inheritances. Rogier van der Weyden received many commissions from the Court of Burgundy. He excelled in portrait. He was not a realist, he did not seek to capture the particular characteristic of his model, but instead tried to create an ideal image. This approach was very popular with his contemporaries, and brought him considerable success in this genre. He was sought after by the grandest aristocrats and prelates, as well as by the wealthy bourgeoisie, who wanted him to record and embellish their features for posterity.
Several writers have drawn attention to Van der Weyden's treatment of his sitter's hands, which he almost always painted joined together, discreetly, so as not to distract from their faces, yet quietly present, always serving to underline their serenity.
--- Keywords: --------------
Author: WEYDEN, Rogier van der
Title: Portrait of Philip the Good
Time-line: 1401-1450
School: Flemish
Form: painting
Type: portrait
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| 2159 |
 | Philip V King of Macedonia
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| 2160 |
 | Philipp Wilhelm, Elector Palatine
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| 2161 |
 | Philippa of Hainault
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| 2162 |
 | Philippa of Lancaster Queen of Portugal, princess of England
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| 2163 |
 | Phillip and Robert Sidney
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| 2164 |
 | Phillip Howard, Earl of Arundel
by Federico Zuccaro
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| 2165 |
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| 2166 |
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| 2167 |
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| 2168 |
 | Pieczec_Przemyslawa_II_2.jpg Another seal of Premislas with a sign SIGILLVM PREMISLONIS SECVNDI DEI GRA DVCIS POLONIE ET CRA.
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| 2169 |
 | Pieczec_Przemyslaw_II.jpg Seal of Premislas with a sign REDDIDIT IPSE POTENS VICTRICIA SIGNA POLONIS.
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| 2170 |
 | Pier Luigi Farnese portrait by Titian
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| 2171 |
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| 2172 |
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| 2173 |
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| 2174 |
 | Pinedjem I.jpg
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| 2175 |
 | Piroska of Hungary (renamed Irene) Mosaic portrait of Empress Irene on the Comnenos mosaic in the Hagia Sophia, Constantinople (now Istanbul)
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| 2176 |
 | Plantagenet, Richard III, King of England.jpg
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| 2177 |
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| 2178 |
 | Poland at the beginning of the reign of Boleslaw I
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| 2179 |
 | Poland at the end of the reign of Boleslaw I.
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| 2180 |
 | Poland at the end of the reign of Boleslaw I.
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| 2181 |
 | Poland under Mieszko's rule (ca. 960–992)
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| 2182 |
 | Pole Arms
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| 2183 |
 | Pontic steppe region around 650 AD, Map showing the location of Alania, c. 650 CE. in Yellow
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| 2184 |
 | Pontus `the Sea' (GOD) Depiction of Pontos at the Constanta Museum of National History
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| 2185 |
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| 2186 |
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| 2187 |
 | Portrait of Alathea Howard, Countess of Arundel, née Talbot
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| 2188 |
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| 2189 |
 | Portrait of Queen Louise painted by J.S. du Wahl
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| 2190 |
 | Portrait of Zachary Taylor
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| 2191 |
 | Poseidon Statue of Poseidon at Copenhagen Port
God of the Sea, Earthquakes and Horses
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| 2192 |
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| 2193 |
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| 2194 |
 | President Taylor and his Cabinet
From left to right: William B. Preston, Thomas Ewing, John M. Clayton, Zachary Taylor, William M. Meredith, George W. Crawford, Jacob Collamer and Reverdy Johnson, (1849).
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| 2195 |
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| 2196 |
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| 2197 |
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| 2198 |
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| 2199 |
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| 2200 |
 | Princess Mary Henrietta Stuart detail of a 1641 painting by Antoon van Dijck
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